TORN: The Israel-Palestine
Poster War on NYC Streets
TORN begins its Oscar-qualifying theatrical run
in NYC and LA on September 5!
■ Riveting and moving - Haaretz ■ Intriguing, infuriating, and chilling - TIMEOUT Tel Aviv ■
■ Gripping - Jerusalem Post ■ Thought-provoking - Yedioth Ahronoth ■
■ A film about love, care, and belonging - PRTFL ■
TORN is a gripping feature documentary that delves into the controversy surrounding the now-iconic ‘KIDNAPPED’ poster campaign—a grassroots effort to raise awareness about the 251 hostages taken by Hamas after the October 7 attacks. These seemingly simple posters became flashpoints, sparking fierce confrontations between pro-Israel and pro-Palestine activists and turning New York City’s streets into a battleground of ideology, identity, and grief.
Told through the voices of ten New Yorkers—including artists, activists, and family members of hostages—TORN unpacks the motivations behind those putting up and tearing down the posters, revealing a complex proxy war fought in stickers, slogans, and torn paper—thousands of miles from the battlefield. The film is a raw, urgent portrait of how a distant conflict ruptured life in one of the world’s most diverse cities, challenging the limits of empathy, freedom of speech, and communal solidarity in a time of hyper-polarization.
Torn is a 75-minute independent documentary, produced and filmed in New York City.
“Of all the films I saw at the [DocAviv International Tel Aviv documentary film] festival, Torn stood out as the most urgent and raw in its depiction of the evolving relationship between Israelis, American Jews, and an increasingly diverse urban America—marked by competing moments of solidarity and strain in the global conversation around the Gaza war.”
- Jacob Wirtschafter, journalist
Director’s Statement:
As a filmmaker, I’ve always believed in storytelling as a tool for bridging divides and provoking honest conversation. Torn began as an attempt to capture a moment when my home - New York City, where I’ve lived for the past 12 years-was being pulled apart. Not just by headlines, but by the emotional aftershocks of a war taking place thousands of miles away.
On October 7, 2023, Hamas launched a brutal attack that sparked a devastating war in Gaza with Israel. In the days that followed, two street artists launched a campaign to raise awareness for the 251 hostages taken by Hamas. These weren’t just Israelis-they were, and still are, Hindus, Buddhists, Christians, Muslims, and Jews from over 40 nationalities. What began as an act of solidarity quickly spiraled into something far more layered: a symbolic “paper war” that unfolded on the walls of New York.
With Torn, I set out to document the winter of 2023-those raw, disorienting weeks leading up to the first hostage release deal. During that time, the simple act of putting up or tearing down a poster became a political event, sparking confrontations across college campuses, neighborhoods, and social media. Suddenly, the war in Gaza wasn’t distant - it was here, reflected on our lampposts, our subway stations, and in the heated arguments between strangers.
I followed artists, activists, hostage family members, students, and ordinary New Yorkers as they wrestled with identity, grief, and the meaning of public space. My hope - then and now - was that in New York, where we don’t have rockets or missiles flying overhead, we might be able to sit and talk. That we could create space for conversation, even disagreement, without violence.
This film doesn’t shy away from discomfort or complexity. It dwells in the gray areas-between trauma and activism, doxxing and solidarity, freedom of speech and the boundaries of empathy. My aim was to humanize those caught in the emotional crossfire.
At every screening I’ve held over the past year, I’ve used this film as a platform to call for an immediate end to the war-and for the urgent release of the 50 hostages who remain in Gaza, still held by Hamas. That call will not stop.
In an era defined by polarization, Torn is both a mirror and a spark: a reflection of how far we’ve drifted apart, and an invitation to sit, reflect, and speak-even across disagreement.
Nim Shapira
Director & Producer
www.nimshap.com
Cast & Crew
“Nim Shapira’s debut documentary manages to accomplish several complex tasks with minimal manipulation and without resorting to the repetitive imagery of horrors we’ve already seen. First, it presents the story behind the creation of the ‘KIDNAPPED’ posters, which became one of the defining symbols of the war.
Second, it reveals how the act of hanging and tearing down posters across New York City became a political event in itself, escalating into a battle over public space and narrative control. Third, Shapira sits in front of the camera with activists and relatives of abducted families living abroad, exploring the tension between the desire to help and the helplessness of watching events unfold from afar in a sometimes hostile environment.”
— Oron Shamir, Haaretz










